the shadeleaf music label has finally got your attention it seems ! breakthrough 12 s across their first 5 releases have firmly established thatmanmonkz s label of love as a heavyweight deep house contender ! ever keen to open up the crease to new batsmen, the guys have assembled a deadly duo of big hitters for their their sixth innings. belarus, not perhaps the first place you d think of when it comes to solid house music, but four walls have certainly dropped more than their fair share of jams across labels of note like kolour ltd & traxx underground. here s he s teamed up with fellow grodno resident funkyjaws for a style that s firmly fixated with the roots us house blueprint, but with a fresh take, that s all their own. saine ought to need no introduction, but for those at the back, across a mere handful of releases (his sleazybeats ep was one of our fastest selling...ever !) this young talent has made quite a mark - his drifter ep on must have is one of our favourite house 12 s of recent times. what better way to demonstrate the shadeleaf spirit of collaboration then getting these two established up-and-comers to reinterpret each other s work ? live organic percussion, and the warming hiss and glow of machine circuits conspire to deliver perfectly balanced hip-shaking equations and low end theories. and that s just the f side !. flip for the s side (get it ?) and we re into theoesque territory, with a rasping riff snaking through some deft rhodes work and to-the-bone rhythms, while four walls & funkyjaws offer up a swinging and irresistible rub to wrap it all up top shelf tackle ladies and gents

limited 12 inch on the tiny don pedros label from nigerian disco supremo bobby i.g featuring two of his best and most sought-after tracks on one slab of loud-pressed vinyl. originally out on the impossible-to-find *bomp* album in 1980 (i.g.s one and only release sadly), these cuts are top-class examples of early nigerian boogie, both heavy ass-shaking floorfillers boasting some phenomenal funky guitar work and ultra-groovy bass. first up is the awesome collectors favourite *disco power* while on the flip we have the equally desirable funk monster *funk ina ghetto*. totally brilliant - dont miss!

our second 12inch will be featured by the gua camole duo with a brilliant remix by ana. some deep hypnotic sounds waiting to get pressed on black wax! and again with our selfprinted covers.

the fourth instalment from the baroc label has dropped! 004 from unfinished portraits is another excursion into the raw depths of house and techno. three untitled cuts let the music do the talking, scraping hats and some choice vocal samples help to cement this labels signature sound on another outstanding 12 inch. all hand stamped, with postcard inserts.

two sides from our favorite early 80s lover lew kirton. its the first time the sexy soul mans two track have been 45! both solid tried and tested lp tracks, but who wants to spin lps. 15 years of doing a club every week and you end up with some secret weapons, *something special* was always a big tempo change record. everyone is tired from dancing for two hours to fast disco, modern and deepfunk and without warning you just drop this badboy in take it down a notch and let the dry riding commence, solid. on the flip is lews straight up jack of gloria gaynors *i will survive*, pure shameless anthemic dancefloor disco smasher that i have championed for years, that catchy guitar line over lews big voice never tires.

iron curtis delivers his 2nd full 4 track ep for hudd traxx following up the huge stansfield ep in 2010. the opening track care demonstrates ics diversity as a producer as he lays down a killer bassline with melodic keys which will find its way into many big hitters bags. sing along with your friends has deep laid keys and an mcde esk feel to it accompanied by some heavy snares for good measure. flip for the b side and find shouting & screaming, a dark driving track that even spencer kinsey would be proud of.

with the departing comfort ep, clr artist drumcell has put together a heavyweight remix package for one of the tracks from his debut long-player sleep complex. after receiving raving reviews and massive support in the international scene, the californian dj/producer has invited some of todays most intriguing techno artists to create their own version of his outstanding composition.

second editions series continues where the 1st stopped with another 4 track banger. featuring d.d.r. a.p & austin corrosive / tassid, chris liberator & sterling moss, mk303 vs. ob1.

todd osborn is back for a second round on jared wilsons 7777 label with some heavyweight cuts made for the club. the ep is a pastiche as only todd can do - looking towards garage, chicago, detroit, the future and the past. the record finishes off with an excellent acid remix from mrsk.

we are very proud to present a doubtingthomas vinyl release on metroline limited! capharnauem is a very trippy affair across 3 tracks, 2 originals from aurelien and a remix from the uber talented romanian producer from arpiar fame, cristi cons. off the grid, the opener, stays within the grid until 3/4 of its lenght. a tight kick leads the way with the help of a pulsating bass and some lush pads in typical doubtingthomas style. the off moment happens after the mid way point when the free jazz element comes in and shuffles the groove off the grid!

180g vinyl with printed sleeve.
federsen returns to fifth interval for another sublime instalment of dance floor friendly dub-techno. dewpoint is an altogether tighter affair when compared to the label s first release, point reyes. the drums are taut and razor-sharp, propelling the listener effortlessly through a dense fog of ferric clouds, swelling to fill the outer-reaches of the echo chamber. a highly polished metallic production style that can be compared to some of andy stott s early and classic works. tomas rubek remixes dewpoint for the b-side, remaining faithful to the original track s structure but viewing it through a tinted lens. dewpoint s chords become iridescent, kick drums fall into a straighter pattern and are backed by further dusty percussion, shifting the original into spheres inhabited by the likes of rod modell and fluxion.

refined selector and esteemed producer, steve braiden breaks out on his own with the off out label after some excellent releases for the likes of rush hour and joy orbison s now defunct doldrums label. its a good day when there is some new braiden productions to soak up, and hopefully the establishment of off out will see them appear with more regularity in the future. as an opening statement, apex of the sun s way is a powerful one indeed! the title track is characterised by the sort of rhythmic poise we have come to expect from a braiden production, with searing emotive textures rubbing up against some of the crispest drums heard this year. - solar poise- is equally memorable, with strange ghostly vocals trapped deep in the mix and an unpredictable synth careening around the channels.

some proper break beat rave tracks. including a rivet remix. pressing on transparent vinyl

russian label gost zvuk (roughly translates as state standards for sound) releases its well anticipated third record which is a courtesy of oleg buyanov - moscow s underground scene veteran also known as ol. inspired by some late soviet documentaries exploring russias nature and science, this musical adventure reflects olegs very unique take on nostalgic post-soviet neo-romanticism. driven by raw and jazzy house groove, this record showcases the work from one of the high-profile russian producers of our time. supported by the likes of huerco s, anthony naples and madteo. limited hand-stamped white 12inch

pablo and shoey return just in time for festival season with 4 new bits for the front of your box. e-man groove is a massive disco-rock jam that could have been sprung from the minds of dem idjut boys, with sympathy for the devil style percussion and wild guitar riffing driving the whole thing. blazing sunshine, meanwhile, is a funky, hammond organ led version of let the sunshine in, a guaranteed hands in the air moment when dropped at the right time. disco treat is more of a modern floor-burner, closer to straight production edit with a bouncing bassline and all manner of whacked out disco sounds in the mix, not to mention breakdowns for days. rounding off the package is some classic funky soul breaks - the lads tear a chunk off bettye lavettes soul tambourine to make play it, break it on down! as sampled on stezos golden era hip hop rocker to the max.

its time for phonogramme to explore different styles and releasing one of its most successful project ! from france, kris tidjan composes music layers in the high sphere of soul jazz. playing most instruments by himself and singing, he also presents music live with musicians. on his first ep floating therapy he comes with feel the love & mystic bantu trip, african music accents & a strong rare groove touch, mastercut oriented under the supervision of professor inc. a1 featuring fela kuti s accent with an additional sax played by christian rodenberg while a2 reaches a 11:11 timing with peacefulness and aerial feeling.on the other side we go deeper into the artist s influences, ethnic vocals melted with tidjans * son of the sun* beautiful refrain & meimouna coffi at vocal chorus, some soul jazz broken beat like we rarely hear today, very strong and contributing to the genre greatly, * shining from the deep space*. for the b2 professor inc brings you a remix of feel the love in two part with a soulful vibe and deep house touch in the spirit of what he has already done for the label before.

the utopia project, yet another one of many pseudonyms for legendary producer rheji burrell of burrell brothers fame. all 4 of the files contained within this ep bear the classic hallmarks and sounds of the burrell brothers signature style, taut drum programming, deep, melodic synth washes, bass-lines from the darkest recesses of nycs streets and dance-floors and an instantly recognizable atmosphere. like much of the brothers output these tracks are designed to be heard either very, very late at night or in the early hours of the morning and are some of the defining sounds of new yorks underground night-clubs in the formative parts of the 1990s. a true underground house record, over 20+ years old and still sounding as fresh and current as ever, file 1 is now available again for 2015, re-mastered and re-pressed with the permission of and in conjunction with the burrell brothers / nu-groove records, new york city.

here is the new wow!57 made for us by a very big artist: basti grub!
he released some of the best hits of the past years, and is now landing on wow! recordings with 4 amazing killer tracks and an ep that will impress you for sure!

mulen marks the arrival of its second vinyl with the release aloft from tish. this kiev-based lady is definitely seen as a key player in the ukrainian underground. the original mix of aloft is stripped-down vogue techno with a funky baseline and tick-tock percussion. the track is flashing out the skippy, atmospheric style one might call mulen s signature sound. under number two we have samples of silence where tish explores possibilities of rhythm and space. the track progresses through a clean path of precision drums to a warmer meditative lead. on the b-side cadenza native valentino kanzyani plugs 9 minute remix of the titled aloft. quoting a minimal running techno, kanzyani stockpile some much-needed tension while keeping the arrangement uncluttered. his hypnotic groove beneath a blunted and ponderous baseline deliver us a darker, more cosmic vibe.

samuel l. session, a techno producer from sweden who founded the labels sls and cycle and now runs the klap klap imprint. apart from that, he has released on drumcode, soma, music man and kms records. in 2007, samuel l session was featured on kms 091 - kevin saunderson’s release – “history elevate 2” with a remix for “pump the move”. now in 2015, samuel l session presents his second artist release on kms records with “the talkbox ep” the talk box ep kicks of with an “original mix” that is a dark, deep & groovy. detroit inspired techno pumper that features a deep bass line with haunting chords. move on next to the “concrete mix” which provides a bit more airy feel. on the b side the soulful groove b1 “birth of blue” featuring elbee bad providing whispering melodic vocal sprinkled on top an ever moving progression that even includes some great horn stabs. rounding out the ep is the b2 “birth of blue” featuring elbee bad & andreas saag, providing a groovy solo-esc piano, riffing throughout this already groovy number

(cd version included) an inestimably valuable and definitive collection of 1988 belgium club classics anthems produced by rembert de smet including hard-to-find, unreleased and rare materials.

frederick is the alias of a dj and producer known for releases on labels like local talk and soundofspeed. emotive, cinematic, epic and space are some of the words used to describe his approach to deep house music production and also in his versatile dj sets.

boston bun is back for 2015 with just for freaks, which is part 1 of a series of three eps dedicated to unrestrained underground clubbing. just for freaks 1 stays in the chicago house revival that boston bun established these past 2 years. the right balance between deep and ghetto music. a-side pleasure is a track that you can play very late in the darkest clubs. it drives us with unpitched voices and unleashed tr which succeed to a cut-up bass. b-side levitate flirts with lovely strummed music, almost nostalgic, interrupted by an harmonious and bouncy bassline. the lyric *you wanna play house some more?* sounds like the anthem of a neverending party. the vinyl ep includes a download code.

in about 2003 i did some work for deepfunk and northern soul legend keb darge and as was the way back then i received payment in vinyl. included in the pile was this little detroit number which i instantly fell in love with. in 1980 david mcmurray and adell shavers and david mcmurray (who went on to be a member of 80s hit band was not was) wrote and produced this amazing detroit modern / boogie 45 which for some reason suffered the same fate of many of aotn releases and disappeared from history. but thanks to the generation of collectors before me this gem sat safely in northern collection such as kebs for years waiting for its day in the sun. it only got limited play but recently the record has had a resurgence in popularity and value which it deserves. after a tip off from jason stirland (soulstax records) i found david mcmurray and it was wonderful to find he was keen to help me bring this wonderful 45 back into the limelight. so here we are…

brought to attention in dj sets from the likes of rustie, jackmaster, and receiving radio support on bbc radio 1 from annie mac, zane lowe, mistajam plus more, *minger* follows darqs previous productions for some of grime and raps most memorable characters, notably tempa ts *next hype* and danny browns *blueberry*. underpinned by crisp 808 drums, a serrated synth riff and doom.

ben sims presents the final (but first!) in his long-running theory series. over the years theory has presented us with some of the most essential house & techno releases on offer. sims unleashes four forward forward-thinking techno cuts for 050.1, headed up by a smoking remix from the bold marcel dettmann.

angefangen mit seinen legendären veröffentlichungen der band spacek, seiner solo-arbeit auf dem kult-label sound in color und seinen kooperationen mit dem verstorbenen j.dilla, bis hin zu seinem unter dem radar gehaltenen black pocket projekt mit seinem bruder dbridge und seiner jüngsten arbeit mit mark pritchard als eine hälfte von africa hitech - seine furchtlosen ansätze etwas zu kreieren, waren immer progressiv und stets originell. mit beat spacek nimmt er wieder die zügel als solo-künstler in die hand und hat ein album erschaffen, das zum einen wie ein liebesbrief an die zukunft, zum anderen wie eine ode an die vergangenheit klingt. erstellt wurde das album weitestgehend mit diversen iphone- und ipad-apps, was zeigt, wie befreit und angeregt durch technologien und perspektiven des neuen beat spacek gedanken aus der vergangenheit ausdrückt. es ist eine reise durch die entwicklungen des modernen großbritanniens aus einer futuristischen perspektive.
die doppel-lp erscheint auf 180 gramm vinyl inklusive downloadc1ode.

amsterdams fastest, getting down with the machines and laying down some proper dirty rhythm tracks.

dilated pupils is a duet composed by renowned ivano tetelepta & roger gerressen. this ep is the first of future serie that will bring together the two artists and some guest artists.

dj haus goes a little freaky on the helta skelta ep. this 4 track ep show his strangely funky side with some odd and jerky rhythms and melodies. it takes its cues from the windy city but doesnt hide dj haus roots in the uk with a bleepy techno twist and pirate radio energy.

for a brief moment turin was italys sheffield, producing an astonishing number of diy electronic groups. in the context of a wider europe, italy has never been thought of as a hotbed of minimal electronic music, but mannequin records compilations danza meccanica: italian synth wave 1982-1987 have shone a light on a scene little heard, even within italys borders. but the history was still incomplete ... some new horizons now must be unveiled, showing that between the years of 1982 and 1984, the city of turin in northwest italy was home to a quiet underground renaissance of experimental electronic music.

new jerseys mythical zanzibar club has long been a source of wonderment for dance music fans around the world. the newark institution has been connected to some of the biggest producers and djs in the world of dance music: blaze, tony humphries, kerri chandler, tee scott and many more! step up jovonn aka ly with this most classic piece of late night nj house/garage from 1994 - back to zanzibar, a love letter to the club and dance-floor that no doubt had a massive influence on him and countless others during its existence

the third 12 inch sampler taken from lukes unfinished business compilation series, this time featuring a lost dub of the nails classic hurt u featured as part of the kittens single back in the year 2000. nail is enjoying a fantastic and deserved renaissance at the moment and will felt it was high time let this baby loose. this is followed by another lost gem from the wonderful tak label. the last unfinished business compilation featured the timedwellers and now it’s time for collis king, look out for some unreleased gems to be featured on an ep from classic later this year. number 3 is the tripped out vocal classic from sandee - given some modern day remastering business a record that has proven to be totally timeless - and a stalwart at luke and kenny hawkes legendary space nights at bar rumba. and finally - lukes very own stop the riot - the first single he recorded with sam lynham from gramme championed by the likes of skream on radio one and nemone on 6 music - we felt the single deserved its very own place on vinyl.

luigi madonnas production talents are glistening with releases on well-known labels such as drumcode, octopus, analytictrail, sleaze, suara and more. he has featured on the infamous drumcode radio podcast and is supported by some of the largest techno djs in the world including adam beyer, richie hawtin and many others. last year saw luigis primo smash its way through the charts to become number one in the techno chart and both luigi and drumcode believe this success will continue with background

allnite music 002 brings alex agore with some of his best works so far. both *basement jam* and *be someone* tracks strikes right the middle of the target, somehow between his earlier 4lux works and his no matter what hot dancefloor stuff. on b side, apoena presents two grooved house tracks with jazz sounding keys cut directly from vinyl. just a killer 4-tracker!

more nordic talents knocking on the door with some proper house! junk yard connections is the debut release of stocktown duo laguna ladies. aside of the original there are remixes by moomin and baba stiltz. moomin give us a flashback to the 90s bouncy yard, with sunshine and blunts when baba flipping the happy acid vibe up side down and goes into the techno wildness. great to see junk yard connection going so strong!

after many uk based producers, its time again for some homeboys. elvis is a young dj and producer from zurich/switzerland and his humney ep is his first full release to date.humney is that catchy house tune with a touch of the 90s house sound, with a great bass line, sexy vocals (from the lovely choklate) and solid beats. the up and coming palace (hot haus records) adds a rougher vibe with his remix, but its still humney. the way is taking a deeper direction and shows that elvis cassetta is definitely a name to watch out for!

is it balearic recordings latest is the reflextion ep from baldelli & rocca. 3 electronic disco bombs and a quality remix from ray mang. rteflextion is a driving synth italo disco stomper. mr mang adds a little acid and a touch odf house. side b s first track is a classically italo disco dancefloor gem lots of symth action a flappy percussion give this a hypnotic quality ready for some smoke drenched dancefloors. out to lunch is a more quircky take on the same theme. like a lost maxi 12 b-side pf an italian elctropop ftrack from the late 80 s. great ep.

there are times when the ocean is not the ocean - not blue, not even water, but some violent explosion of energy and danger: ferocity on a scale only gods can summon. it hurls itself at the island, sending spray right over the top of the lighthouse, biting pieces off the cliff. and the sound is a roaring of a beast whose anger knows no limits. those are the nights the light is needed most. - m.l. stedman

the index expands into its fourth chapter with a rich collection of tracks from key label artists marcel fengler, thomas hessler, echoplex and vril. label co-ordinator marcel fengler drops scion on the a1, a non-typical, deeper house-influenced jam with a floating, mind-melting soft-focus. abstract, crafty techno meets classic sunday-afternoon vibes in this unique offering. after his wonderful 4-tracker on imf003 promising talent thomas hessler continues his run with the melodic and stark journey track, the escaper. what is initially shrouded in mystery and melancholy opens up into a funky, us vs. uk-styled workout, snapping snares and reduced percussion driving the meandering synth theme. echoplex, who graced imf002, also returns with a suitably trippy and percussive number, entitled the relapse. building into a bleepy, freaky, acidic killer, complete with some cleverly deployed rave vocal samples, filtering in and out of the fluffy aesthetic, the long-serving polish master is still on top form. going for impact and stand-out sound design, vril offers thronwagen, a mesmerising arrangement of synth layers, classic techno stabs and overlapping themes. already well-known for his powerful drums and bottom end control, this more musical piece goes a long way to showcase some of the german producers many other talents.

really, aardvarck should need little introduction. while some of the artists featured on voyage direct are just beginning their musical journeys, mike kivits has been at the forefront of the dutch scene since the tail end of the 1980s.

former padded cell and bronx dogs man richard sen has made some great records in his time, and songs of pressure is up there with the best of them. joining the dots between murky dub disco, horror soundtracks and ebm, it layers spooky, delay-laden synthesizer motifs and wonky vocal samples atop a heavy dub rhythm and punchy machine drums. pals andrew weatherall and timothy j fairplay deliver a bongo-laden, dubbed-out revision (part wayward exotica, part humid balearic dub), while acca strips the track down to its nare bones for a ket-addled dub. its a fantastic 12inch, and limited to just 99 copies. you snooze, you lose.

only 1 per customer / max 1 pro kunde
attention: covers are mostly broken on the border , please do not buy if you need a perfect cover
from the moment you hear the first warm pads you know this is going to be an epic journey. not really. here is some more repetitive, machine bass music for djs to play loud & dancers to freak to. featuring vocals from mutado pintado (nyc), paris brightledge (chicago) & dj genesis (detroit)

the last time you heard this industrial french sound visionary was a few years back. now le matin returns with an eclectic selection of ambient and classic underground structures with a some off kilter sonic expressionism and a deep beat, think early gemini or relief records. from mathematics

a key member of the minus family for almost a decade, jon gaiser is to release false light, his third artist album on richie hawtins label in autumn 2014

kaiser is a bari-based producer and dj. he began his collaboration with etruria beat in 2013 with the track conversation, part of the va named bud sampler (part 1), many times played by richie hawtin. today he presents his first ep for etruria, entitled medusa.the pack consists of two original tracks save the chord, so entitled because of the presence of some overlapping dub-chords which intersect one each other and create a melody on which grows a well balanced groove and medusa taking its name by the ep, is a techno track with an aggressive and imposing rhythm, perfect for the most powerful dancefloors!

op.discs highly acclaimed 2013 double pack from radiq aka yoshihiro hanno receives some heavy reworking from three of his label mates, fumiya tanaka, akiko kiyama and aoki takamasa. fumiya tanakas reinterpretation provides an extensive, deep down edition of vida noir and renders the original beats into a minimal bass behemoth of a track that clocks in at almost ten minutes. akiko kiyama shows her peerless talent in her revision of rondo. the beats and pieces are sticking like glue each other to render exotic and mesmerizing aspect of radiqs original. aoki takamasa shows his further involvement into minimalism on his version of calling, channels a micro-house groove into a multilayered beast.

music that keeps your body busy on the dance floor while it takes your mind to exotic places far away: timboletti creates a tense atmosphere between the stripped-down power of a kickdrum and the intricate network of sounds and melodies. during the titles murrakus and wüstenlauf your inner cinema will show mysterious scenes from an oriental bazaar, at the same time your body will have to deal with a pleasant feeling of restlessness. the frequency spectrum of makrovic is invaded by tripped-out samples, reminiscent of radio transmissions from some odd parallel dimension, resulting in a groove that is deep yet uplifting. barfussbravo sounds just as alien and is just as compelling, as delirious melodies and delay cascades unfold upon tight, driving rhythm sections. mollono.bass delivers a remix that is probably even deeper, a stardust phantasy flying high upon the solid foundation of a standing bass line. in contrast, carlos shifts down a gear and reflects on the multi-dimensional anatomy of barfussbravo during a smooth downbeat version.

a loose companion project to michael mayer s iconic mix series, the immer vinyl releases never fail to surprise: its here that the kompakt label head opens up the vaults of his record collection and shares some of his secret favorites – to put a spotlight on those great tunes that never got the recognition that they should have in the first place. following the re-release of lost gems from such diverse artists as benjamin diamond, losoul or psychonauts, the fifth instalment in the immer 12inch series presents two sublime cuts from scsi 9 and rebotini – each one of them a prime example for michael mayers unique ability to sense and unlock the hidden potential of a track